Tritone Substitutions, Part 1
Basic Theory Hi Folk, and welcome back for more lashing of red hot theory. This week I’m going to delve into the arcane mysteries of the dread “Tritone Substitution”, a diabolical techique where an innocent dominant 7th chord is substituted for more diabolically satanic alternative…ahem! Sorry…little musical joke – if you want the scoop, here’s […]
Altered Dominants for Guitar, Part 3
ii-V-Is using the ‘C’ & ‘E’ CAGED shapes Hi folks Welcome to the third lesson in my jazz guitar series on using altered dominant dominant chords. I’m getting down to business in this lesson and demonstrating how to apply the altered dominant chords in the keys of D minor and D major, using the ii-V-I […]